Of course if I hit play on it, its fine and everything sounds great. I had it running fine in OB so its got to be user error by me. Triple checked the Sync settings in its menu, swapped out cables…it’s not taking sync. Struggling a little with the Digitone though. Ive tested them all out (sequenced from ableton out via E-RM USB and they are fine.) So I found that around 2.5ms has the synths dialed in pretty well. If I set the latency too high in the plugin, it pulls the kicks ahead of the grid. Which honestly, is amazing on it’s own.Īdded in a synth that I sequence with ableton and so I use an external instrument. I dialed in the offset into the E-RM for each drum machine and they are super locked in now. I am sending my drum machines into ableton with monitoring off and I am using my RME mixer software to monitor everything. Other setup/delay compensation may be need for routing audio into or roundtrip with Ableton. I trigger audio and MIDI clips then output the audio to an external mixer channel. I’m also just getting back to a hybrid setup but I don’t run audio into Ableton. It doesn’t drift or jitter but I can never get the compensation right, even with proper Driver Error Compensation settings in Ableton => Preferences => Audio. I can never get things to sync up perfectly otherwise. Using an external device means that you can solo tracks in Ableton and it won’t impact the audio sync.Īs for setting up the sync, I personally disable Delay Compensation in Ableton. Use an external device and send the audio to an output of your audio interface then into the ERM. I mean like, if you look at your tempo on the gear that displays it, it doesn’t even jump by 0.1. There’s 0 jitter when I use the audio sync in. But if you run into problems like I did, then you will probably need something external.If they dont jitter because they get a clean clock from the ERM, that would be something else. As long as you can't actually hear an issue then who cares what's technically happening. It's a known delay, and IIRC there's a setting to compensate for it in Ableton.Īlternatively, you might be able to get along just fine with the janky clock. B) I know t has 4 midi out ports, and each port has their own 16channel midi channel. I know the midi ports can be used for midi clock and midi notes, I’m wondering while internal sequencer is playing the notes ’m sending will be in sync. If you are not directly playing VSTs with a keyboard then you can probably increase the buffer and work around the latency just fine. I’m talking about sendin BOTH clocks and MIDI sequences at the same time in sync using DAW. I guess my point is that jitter is what will get you. I ultimately managed to work around it (the main issue was with effects so I just used outboard effects to make it work for the gig) but certainly a nice stable clock source would have done the trick too. Root wrote: That erm multiclock looks like something i really want. But of course, that means you have more latency which is problematic since you want minimum latency for playing live. Plugged it in to computer, sent it out via MIDI out to MPC, and split the midi out. I found that if you increase the buffer size, the jitter drops. I think it was only like +/-0.3 BPM or so but that was more than enough to mess with stuff. Using the supplied plugin all manner of clock signals can be synched to the master clock. All the patch changes, routing, and of course MIDI clock was controlled by Ableton. The E-RM Multiclock USB MIDI-Clock Generator is a comprehensive solution for high-precision synchronization of electronic musical devices to a master DAW. So I have no experience with any dedicated clocks, however what I do have experience is pretty horrific jitter in the clock output of Ableton when you are also trying to reduce latency.įor context, I was running a sort of hybrid rig for live keys that was a combination of some hardware synths and soft synths on Ableton.
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